Looking back and going forwards – Developing a Style

Everywhere I look I see mantras about how we should live our lives. Don’t look back, have no regrets, you can’t change the past, be in the present, follow your dreams, look to the future!

Notice how the statements about looking back in time often seem to be negative, whereas those about going forward are often positive. Now I don’t argue that looking forward to things in the future is great, and being able to visualise a better future is something I wish I was better at, but I do love a good bit of nostalgia.

Looking back at my work, before I was ‘taught’ proper painting methods, I saw that I favoured bright, garish colours, big brush marks, solid edges and thick juicy paint. Perhaps this was because I started painting with acrylics, but these paintings were not popular, they were not picked for art shows or taken by galleries, and this was my measure of success at the time. So, over the following decade, I made it my mission to learn about traditional oil painting methods, fat over lean, limited palettes and a sense of subtlety in mark making. I used expensive oil paint and it became so precious I used less and less on each painting. My brushes became smaller, my marks more considered, the energy more diluted. These paintings were much more successful in terms of popularity and sales, but I began to feel that they were not really ‘me’. I was developing a style of painting that I loved.

Developing a Style of Painting
Developing a Style of Painting
Developing a Style of Painting

So I’m looking back now to see which of my own works sing for me and why, and how I can use the knowledge gained over the years of figurative painting practice to continue to forge a new direction that will create exciting new work and satisfy the fire in my soul. Above are three examples of work from 2005, 2010 and 2020 to clearly illustrate the changes that have occurred over time. The first picture is bold, brash and brushy. The second was created after years of being told to refine and the third, my favourite, is a result of learning to be freer and experiment more – painting from the heart and not the head.

In my art making I feel that looking back is every bit as important as dreaming and planning your next step. In reviewing past work we can see clearly what has worked for us and what has not, what has been popular, paths we took that turned out to be dead ends, and perhaps paths that need more exploration. Only by looking at the winding road of our history, we can learn from the mistakes and achievements laid bare, and use this information, and these feelings, to build a new direction, to forge a new path and to find the enthusiasm to keep on keeping on in this crazy game called Art.